a dark and stormy Tuesday night...
There is a man,
a keeper of a lighthouse
who regards that lighthouse as his castle.
He holds a deep passion for the sea,
both it’s stunning beauty
and it’s mysterious darkness.
He has given up on the land
which he had once called home.
“Angry,” said the man to himself.
“Why is my keeper so angry tonight?”
The darkening clouds towered overheard
as if to silence his question,
and their angry faces kept being revealed by
each jagged streak of lightning.
The gusting wind howled from every direction,
as if to answer his question,
yet that howl held no spoken words,
just timeless emotion.
The hammering waves crashed from all around,
as if to punish him for asking the question
by lashing out at the coast
scratching and scraping as much as they could.
screaming furiously
as though he were in charge of the storm
directing the anger at
anything and everything in it’s path.
Most men would have fled the lighthouse
Most men would have fled the lighthouse
at this sign of anger.
But the man just picked up a violin and
patiently,
methodically,
understandingly,
passionately,
and even stubbornly
began to play hard and heavy with
dis-
jointed
notes.
The rains fell instantly,
hard and fierce.
Trees were snapped in half
in their unsuccessful attempt
at standing up to the jagged streaks of lightning.
The man inside was playing with a fury
not unlike the raging storm outside;
his harsh sounds blending in with the noise of the storm.
Birds appeared to be flying backwards
in their unsuccessful attempt
at flying against the power of the wind.
The man inside was still playing with an even greater fury
not unlike the raging storm outside;
as if to out-perform the display the rage occurring outside.
And the light of the lighthouse still remained unaffected.
A boat tipped over
in it’s unsuccessful attempt
at churning forward through the choppy seas.
A woman from that boat started swimming
towards a beam of light coming from her right.
She thought it might have been lightning.
(but she later reflected that the smallest ray of hope,
even if it turns out to be a ray of something else,
is sometimes better than not having a ray at all.)
so she kept on swimming
The waves paralyzed her strength to swim
The rains blinded her vision of the ray
The winds silenced her screams of terror
The thunder stole her train of thought
The lightning scarred her courage to cope.
The man inside was still playing
feeding off of and shutting out
the display of rage occurring
outside of his house of light.
(at this point, one might think the music of the violins would have reached some humpback whales, which would then carry the woman to safety. not so. the whales had previously fled to safer waters long before the storm arrived.)
Somehow,
an eternity later,
(but in reality only ten minutes later)
against all odds,
and against the forces working against her,
the woman half swam and half floated
onto the sand in front of the lighthouse.
Too exhausted to know what she had found
and too exhausted to comprehend what had just occurred
her instinct collapsed on the shore.
And the storm raged on.
And the violin played on.
And the light remained on.
And the woman’s instinct lingered on.
And the anger raced through every living thing
that lonely stormy night.
And it was some war:
The storm representing nature’s emotion;
The violin representing man’s emotion;
the emotions of a violent and vicious anger.
The war/storm/performance lasted 4 ½ days.
Finally,
the storm ended suddenly.
The remaining echoes of the
wind and waves and thunder and violin
became nothing more than distant reminders
of the war which produced no winners
of the storm which produced no damage
of the performance which produced no applause.
And even the once-ominous clouds
were headed for the horizon
in a defeated march away form the light of the sun
which had regained control of the skies.
As consciousness replaced
the anger of the man
and the exhaustion of the woman,
they both headed to the door of the lighthouse
(the man from the inside,
the woman from the outside.)
And as if by coincidence
(although it wasn’t one at all)
they met at the door at the same time.
And as each person
looked into/looked out to
each other’s respective areas
of the stormy past,
they each began to discuss their pasts
under blue skies and above blue water,
in the light of the house and the light of the sun.




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